
City in Rain
TODO — placeholder text. Replace with Arosh’s own description of the piece.
Wet-into-wet for the whole upper half, then left alone entirely until dry — the reflections on the pavement are what the paper did on its own, not what was painted.
Watercolour is unforgiving in a way that graphite is not: there is no lifting a bad decision out of a dark passage. Most of the work is deciding what to leave white before starting.